Wordless Stories free essay sample

I peer through the viewfinder. The camera centers, and my eye takes in the promising picture before me. Through the completely clear glass I see a youthful young lady. She is wearing a coral pink tank top and a dim hoodie, and despite the fact that I realize her long hair is a wonderful cherry-lemon shading as a general rule, the delicate light of the spring evening colors it a darker cinnamon. She has a surprising hand-drawn structure on her upper chest, just underneath the neck, and a few more on her cheeksâ€orange and yellow spirals that along with her warm, ruddy skin total her brilliant gathering. Her dim eyes gaze at me peacefully, and her demeanor is set apart by the casual grin all over. As I am going to snap the image, an obscured consider dashes along with the foundation, abruptly and with scarcely any notice, on the left-hand side. It is a young lady with dim earthy colored hair and a lavender-hued shirt on, stumbling into the grass behind the young lady in the closer view, lolling in the warm late-May air with her arms loosened up to either side like a plane. We will compose a custom paper test on Silent Stories or on the other hand any comparable point explicitly for you Don't WasteYour Time Recruit WRITER Just 13.90/page My finger hits the catch at precisely the ideal time, and I figure out how to catch the movement of her innocent trip in an ideal position: the young lady in the front grinning her substance grin, her remarkable spirals sticking out, while the one out of sight appears to communicate the basic joy of youth. With the basic snap of a catch, I have held onto a moment from an earlier time and made it substantial. I have caught a second in time. This is my favorite spot, my passionâ€photography. It’s the sentiment of having the option to take that moment, that memory from an earlier time, and protect it always; it’s uncovering the particular easily overlooked detail in the corner nobody would have seen and telling the world, Look. Look what was here that you never took note. It’s having the option to make a shot as a gem, by zooming in or zooming out, changing the shading, the edge, the lighting, the screen speedâ€anything that will cause both the watcher and me to increase an alternate perspective; it’s catching the quintessence of a person or thing in a solitary agreeable edge; it’s recounting to a story without words. What originally charmed me about photographyâ€and still doesâ€are all the conceivable outcomes it holds. Photography, at any rate for me, is about the experimentation. There isn’t one explicitly right approach to do itâ€you simply need to have a decent eye. This exploratory methodology is something I need to convey with me and apply to life. I have consistently been a quite attentive individual and have had a sharp eye for my environmental factors. Regardless of whether it is in school, in my activity, or in my general individual life, I need to apply this trademark with the goal that I am ready to attempt new things and see the world through alternate points of view, while simultaneously communicating my own. I need to travel, snap pictures of endless various individuals, spots, and things, look at them, gain from them, and afterward fold these encounters within me. I need to look life through more than one viewfinder.

First day on the new job

First Day on the New Job Many individuals anticipate the primary day of work at a new position. There are new individuals to meet, a lot to learn, and cash to be made. While I've had different Jobs before beginning my last Job, nothing could have set me up for the sort of workplace that I experienced when I strolled In to start my business. The primary day of my Job at a retail location was not exactly satisfying First I come in the store at 10:00 A. M. The supervisor Introduced the dillydally meeting In hich she discussed the objective and preparing of the day.She appointed me the Fitting Room Section, was distant from everyone else, and the organization never gave me the preparation about â€Å"Work in the fitting room†. The main hour was moderate, yet gradually, a great deal of clients were on line for taking a stab at the outfits, â€Å"Oh my God†, I didn't have the foggiest idea what to do in light of the fact that I needed to hang up all the garments individuals w ould not like to purchase. furthermore, I needed to help the clients. In any case â€Å"First is the first, the customers†. I ask the clients. â€Å"How numerous Items, do you have? , if the Customer had more â€Å"6† things to take a stab at, this isn't permitted Inside the area, just â€Å"6† or less.All the garments the clients didn't need were amassed under the rack. Unexpectedly a chief entered to the area and said irately: â€Å"It's excessively, it's too much†. felt apprehensive however then I thought â€Å"I won't worry about her since I am alone†. My other associates werent there at that time. I didn't care for my activity since I need to stir holding up. The vast majority of the individuals are more youthful than me In the store. I realized that in the event that I needed to work with these individuals consistently t wouldn't cause me to feel comfortable.There would be nothing to discuss and we would share nothing for all intents and pur pose. They would consistently be instructing me and they believed that I was unfit to carry out the Responsibility perhaps on account of my age. I was not anticipating working with them. The primary day on my new position was awkward. I would not like to work with the individuals who were there, and I wasnt happy with the hours and cash. They started to give me less hours and I ended up squandering more cash on transportation than I was aining working there.

Vodafone Group Plc Essay Example | Topics and Well Written Essays - 2000 words

Vodafone Group Plc - Essay Example The accessibility of the modest credit made it exceptionally simple for individuals to fund vehicle advances. In this way individuals wound up spending significantly more than they were acquiring. This prompted an over progression of vehicles out and about. The expanded interest likewise constrained producers to spend more on capital developments. Anyway as the world saw this interest was not genuine interest but rather in reality just a swelled market. The monetary hit to these car producers was in this manner serious. The improvements in the budgetary segment likewise legitimately influenced another industry. The land part was without question the most influenced in the ongoing financial emergency. The huge measure of were contracts taken out on properties which were worth a lot not as much as, prompted a horrendous accident in the lodging market. At the point when the market adjusted itself and arrived at balance it was a piece past the point of no return for the money related mas ters who had missed the clear indications of what was to follow. The media transmission industry was another industry which was seriously harmed by the monetary crunch. The effects on the media transmission industry anyway were generally extraordinary when contrasted with the other two areas talked about above. This is on the grounds that the effect on the telecom area was not an immediate effect but instead a stream down effect. The business experienced a general stoppage in business and absence of accessible credit to continue the capital costs the business had caused in the times of development. The decreased customer spending because of absence of occupations and expanded rivalry from contenders likewise brings about significant mishaps to the broadcast communications industry. Along these lines we can say that the media transmission industry was a casualty to its own quick development. The expanded rivalry among the business prompted diminished benefit accepting open doors for players and along these lines lower benefits. Media transmission Industry The telecom business for the year 2010 was consistent regardless of whether there was no incredible development. The business was experiencing constrained customer base over the most recent few years. Anyway new specialties have showed up in the market which can be focused by littler players. Also the disturbance in the market which was basic in 2009 was somewhat diminished. Numerous littler organizations were being shut down or were being paid off. This pattern was extraordinarily decreased in the most recent year. This doesn't just show that there is despite everything interest for new telecom items yet in reality the market is more differing than any other time in recent memory. Along these lines openings are available from huge systems with long reach and littler systems with specific items. Another motivation to this restoration is the decreased accentuation of the business on supplanting more seasoned in novation with more up to date forms. This is likewise to a limited extent because of the lazy economic situations. An awesome model is of the NT6X21AC line card. To foresee the eventual fate of the telecom business is correct no impractical. This is on the grounds that more than financial matters factors this is entirely reliant on mechanical components. The ongoing advancement achieved in the telecom business by devices, for example, iphone and android can be a lifeline for the media transmission industry. This is on the grounds that the media transmission industry is at last getting consumer’s cash for utilizing the internet providers. In the event that this pattern proceeds, the advanced mobile phones would end up being the PCs of tomorrow. This would anyway depend

The Chain Of Art Essays (653 words) - Art Movements, Modern Art

The Chain of Art Cubism was one of the most grounded craftsmanship developments in the twentieth century that brought forth numerous different developments, for example, futurism and suprematism. The Forefathers of this progressive method of painting were Pablo Picasso and George Braque. Despite the fact that it might have appeared to be theoretical and geometrical to an undeveloped eye, cubist craftsmanship do delineate genuine articles. The shapes are smoothed onto canvas with the goal that various sides of each shape can be demonstrated at the same time from numerous edges. This new style gave a 3 dimensional look on the canvas. The cubist development offered ascend to an exceptional reassessment of the association among structure and space changing the course of western craftsmanship until the end of time. The noteworthy Demoiselles d'Avignon was disputable for the manner in which the ladies looked as well as for the places of the ladies. Despite the fact that Picasso didn't underscore on detail, he ?saw that the reasonable, frequently geometric breakdown if the human head and body utilized by such a significant number of African specialists could give him the beginning stage for his own re-evaluation of his subjects?(Cubism 53). ?The bare ladies become inseparably bound up in a transition of shapes or planes which tip in reverse and advances from the two-dimensional surface to create a lot of a similar sensation as a detailed sculpture(Cubism 54). Futurism was a workmanship development, which was affected by cubist craftsmanship. Cubism demonstrated no movement it was futurism that was intrigued with apparatus, transport and interchanges. In artworks and figure, rakish structures and ground-breaking lines were utilized to pass on a feeling of action, this was a Futurist's method of demonstrating movement and speed. One of it's pioneer's was Umberto Boccioni who said ?We need speak to not the optical or logical impression but rather the physical and all out understanding? (Futurism 101). ?They presently placed less trust in the intensity of new topic and endeavored to supplement their shading divisionism with discontinuity of the cubist sort? (Futurism 101). Suprematism was affected by cubism in view of it geometric shapes yet ?suprematism was less a development in workmanship as it is a mentality (Suprematism 138). This non-development was made by Kasmir Malevich's , ?His basic structures were planned both to break the craftsman's molded reactions to his condition and make new real factors ?no less critical then the real factors of nature herself'? (Suprematism 138). A suprematist work, exiles each hint of subject, it utilized shading and structure and there connection to frame a subject. While cubism had positive subject it was additionally the collaboration of shading and shape that made the subject. Constructivism was impacted by suprematism, this development cleared away conventional thoughts about workmanship, accepting that it ought to mimic the structures and procedures of current innovation. ?Frequently constructivism was unmistakably proselytizer in nature: now and then by the arrangement of straightforward geometric structures in the sort of artistic setting which transforms such structures into portrayals (Constructivism 161). De Stijl was generally impacted by painters Piet Mondrian, Theo Van Doesburg and engineer Gerrit Rietveld. These men accepted that craftsmanship ought to endeavor towards complete congruity, request lucidity in a steady procedure of refinement. The works in this development were obviously geometrical, utilizing principally square structures. The development's structures were profoundly philosophical and were established in the possibility that craftsmanship ought to somehow or another reflect request. These developments advanced from cubism (consequently my title); they formed from shapes into other common implications. They all fanned out to their own specific manners and tumbled to their emotions and desirers. These developments created from geometrical items to appear as a genuine structure, for example, a body or face at that point transform into a geometrical structure. These trend-setters thought in an unexpected way, they needed to change every other person's perspective and with their improbable perspective they have. Be that as it may, we have gotten so acquainted with it that we don't remember it and underestimate these amazing shapes and hues for allowed.

A Method For Writing Essays About Literature

A Method For Writing Essays About LiteratureA method for writing essays about literature is one of the things that makes the writer a writer. The whole purpose of writing is to express yourself. When you're not able to express yourself and get your point across you are no longer a writer. You are nothing more than an ordinary person who has discovered that they can talk to their computer.The key to getting readers to read what you have to say is to show them what it is you're talking about. When the reader finds what you're saying he or she is the one who will keep reading. The better the reader you'll get, the more that's going to happen to your writing.The reader has to be able to understand what you're talking about before you can hope to persuade the reader with a few sentences of your story. If you can't communicate clearly what you're talking about, no matter how compelling the story is, it's useless. It's like talking to a brick wall.One of the most common mistakes made by wri ters is that they will get lost in their own thoughts and they just can't connect with the reader. Sometimes the writer will even stop composing altogether because the story has no interest. If the writer is not well-spoken, they can just get out of the room and let the muse take its course. The writer needs to get back to what they were doing and sit down and write again.Writers need to organize the pieces they've written and rewrite them until they are confident they are ready to submit it to a journal, a school, a library or to an essay competition. That's when they need to figure out what format the essay is going to be in. There are so many different types of essay formats available that one has to be extremely selective about what format he or she is going to use.One of the best ways to organize your work is to organize it in a chronological order, so that the author's work flows from start to finish. This helps the reader follow the steps that lead up to the climax and the co nclusion of the story. Sometimes all the story needs is a proper introduction and a penultimate epilogue to bring the story to a close.An important point to remember in organizing the structure of your work is that it should not have any flashbacks. If you add flashbacks in a part of the story you're editing, the reader will have to wait until the end of the story for the flashback to come into play. Even if the flashbacks do come into play, the reader will find it hard to follow what happens and it can really hinder his or her flow.Another thing to remember about the manner in which you organize your work is that each essay should have a thesis statement at the beginning of the piece. The thesis statement should be different for each essay you compose. The thesis statement should provide some type of framework to all the rest of the work, but it should not be included as the entire story.

Masculine Honor and the Fetish of Chastity in Shakespeares Rape of Lucrece - Literature Essay Samples

Lucreces tragic downfall in Shakespeares Rape of Lucrece can be largely blamed on male competition. Her hapless story begins with a contest to determine which man possesses the chastest wife, among which Collatus extolled the incomparable chastity of his wife Lucretia After Lucrece is proclaimed the most dutiful, Sextus Tarquinius, a Tarquin prince and friend of Collatine, becomes inflamed with Lucreces beautytreacherously stealeth into her chamber, violently ravished her, and early in the morning speedeth away. In the rhetoric of Early Modern masculinity, the chastity of women is a cause for great anxiety, because though it is the basis of male honor, female chastity is ultimately outside of male control. Men resolve their anxiety by rendering chastity a public virtue and the basis of a womans social reputation; women are given a stake in their own chastity. Because of chastitys public significance, it is both a figure of approbation and attack and, as such, becomes a precious ly guarded resource in the world of male rivalry. Collatines honor is contingent upon Lucreces ability to withhold her body from other men. Lucrece is a text both literally and metaphorically like the body of the poem, the body of the character Lucrece is also intended for publication. Shakespeares poem, written from a male perspective, suggests male readership in lines such as their gentle sex to weep are often willing (1237). Likewise, Lucreces chastity, the basis of Collatines masculine identity, is written on her body and is used in Lucrece as an exchange between men. In addition to being a woman, Lucrece is also a commodity in the masculine economy, where masculine competition plays out in the form of desire and the metaphors of invasion and conquest are symbols of male power. Lucrece body is her currency in this commodity exchange.In Rape of Lucrece, the chaste wife brings honor and prestige to her husband. Men are judged by other men by their ability to maintain contr ol over their wives and keep them chaste. This is a contradictory standard, for part of it stems from the mens ability to please their wives sexually so that their wives will abstain from finding sexual gratification elsewhere. Part of it also stems from their ability to enforce a code of behavior on their wives, in which chastity is a moral value that women must somehow also embody: it is a standard written on and carried out by the female body. Men are expected to maintain control over their wives bodies and to have the power to turn female sexuality on or off like a switch. To exercise power over the female body, men must maintain strict transparency in their relations with their wives. To prove whose wife is the most virtuous, Tarquins men surprise their wives with visits late in the night, as if the only method of validating a womans honesty is to catch her while her guard is down which already hints at an intense distrust. If men viewed women as innately chaste, femal e chastity would not even be a matter of discussion, must less something that needed to be tested or proven. Women, when left alone and outside of male control, could easily be found in several disports. Early Modern gender relations were deeply complex, and the complexities stemmed in part from the misogynistic notion that women would adhere to chastity only if their husbands imposed it upon them. It was unthinkable for women to have the free will to decide whether or not to follow societal mores. Collatine is considered exceptionally lucky In the possession of his beauteous mate; / Reckoning his fortune at such high-proud rate / The kings might be espoused to more fame, / But king nor peer to such a peerless dame (18-21). Shakespeares pun on the word peer indicates the pervasiveness of this notion: Lucrece is without peer, because her husband does not need to constantly peer into his wifes private space to gauge her honesty. Her incomparable value and Collatines fortune both derive from Lucruces intrinsic virtue. Fear of female mystery, of what women do when left alone in their feminine space, causes men much anxiety, and men are constantly invading the female space to check female behavior.The metaphor of invasion is omnipresent in Rape of Lucrece, as the story is set during the Tarquin invasion of Ardea. The meta-narrative of Lucrece is already a story of conquest; Lucrece, a noblemans wife, lives under and within the grand narrative of a male power struggle. For the men in Lucrece, invasion is the natural method of asserting power. When Tarquin invades Collatines home and Lucreces feminine space, he is depicted as a soldier, and Lucrece is represented as his battleground, whose beauty is a a silent war of lilies and of roses / Which Tarquin viewed in her fair faces field (71-71). As the battleground, the violence of conquest is carried out upon and through her, but though the war is fought over her, she is not its cause. The rape is not a sexu al act, but an exercise of power and as women in Roman and Early Modern times had little power of their own, Tarquins rape of Lucrece is essentially an exercise of power over Collatine. Tarquin threatens Lucrece with Collatines dishonor to acquire her submission, stating that if she fails to acquiesce, thy surviving husband shall remain / The scornful mark of every open eye; / Thy kinsmen hang their heads at this disdain. Mark Breitenberg explains:In short, Tarquin gains honor by raping the wife of someone as powerful as Collatine at the same time as he destroys his own honor. This contradiction is certainly made explicit in the poem through Tarquins tortured psychomania between the preservation and corruption of his own honorit seemsthat his overwhelming inescapable desire is really standing in for the inherent contradictions of a system in which men receive honor from their peers in reciprocal relationshipsyet also receive honor in their conquest of the same peers.The idea of public versus private dishonor is essential to Lucrece, and the ways in which different characters address this conflict is representative of their virtue and integrity. Whereas Tarquin is content in his assumption that the rape will remain undisclosed, Lucrece cannot live with the idea that she is somehow reduced as a person, and she views her ultimate suicide as her only hope of redemption. My blood shall wash the slander of mine ill; / My lifes foul deed, my lifes fair end shall free it (1207-1208). Though Lucrece only causes pain to herself and others by publicizing her rape, her courageous honesty is portrayed as righteous, while Tarquins furtiveness is an act of cowardly disgrace. The importance of transparency in between-sex relationships is once again highlighted in Lucreces disclosure. Public acknowledgement is crucial because women can only bring their husbands honor if their chastity is advertised, but extolling a wifes virtue commoditizes her and makes her an object of desire in the eyes of other men. This simultaneously brings men power while making them vulnerable to an usurpation of power. This paradox presents an underlying glitch in the system. Shakespeare writes, Or why is Collatine the publisher / Of that rich jewel he should keep unknown / From thievish ears, because it is his own (33-35)? Though he writes within a patriarchical system, Shakespeare seems to offer a critique of that patriarchy, for perhaps if Collatine did not feel the need to assert Lucreces chastity, if only he had recognized it as inherent, he would not have provoked Tarquins desire and the tragic rape could have been circumvented. Shakespeare describes how, if revealed, Lucrece would be like the morning dew under the sun, an expired date canceled ere well begun. / Honor and beauty in the owners arms / Are weakly fortressed from a world of harms (26-28). Though seemingly delineated, the notions of public and private space share fuzzy boundaries within an ideolo gy that so closely links chastity to honor. Precisely because female chastity is so preciously guarded, it becomes a prime target for invasion and conquest.The concept of Lucreces personal, guarded space is evoked in Tarquins invasion into her private chambers. When he seeks her, even the supernatural comes to Lucreces aid in the guise of wind, locks, and closed doors, and Tarquin is continually deterred. The constant deferral of pleasure, however, only excites Tarquin more, and he proclaims, These lets attend the time, / Like little forsts that sometime threat the spring, / To add a more rejoicing to the prime / And give the sneaped birds more cause to sing (330-333). Lucrece captivates Tarquin because she is denied to him. She is in her personal chamber, a space where only her husband is permitted to enter, and Tarquins excitement arises not so much of his desire for Lucrece, but in his desire to penetrate a space where he is expressly forbidden. Shakespeare does not linger on the act of the rape itself, but focuses instead on the chase: Lucrece is the hunted, Tarquin is the hunter, and the thrill for both Tarquin and the reader is in the hunt. Michael Hall writes:The long description of Tarquins movement to Lucreces bedroom is full of martial images and suggestions of stealth, power, and mastery. These images ensure that Tarquins assault will be seen within the traditional conquest-narrative form and that there will be the resulting thrill of the chase. After Tarquin rapes Lucrece, it is as if she has lost the entirety of her appeal; he has satiated his desire, committed the ultimate act of power, and has nothing left to prove. Hall elaborates:The basic form through which hunting, battle, and rape were all represented is both straightforward and familiar: a man or group of men select and attack and objectwhich resists and is eventually defeatedIndividual men could play out conquest narratives, but the reason the stories needed to be told at al l was to establish group identity, and to assert the values associated with masculinity. So when the stories are about individuals, the point is to reinforce male group identity.Tarquins singular act of rape is an assertion not of just his power over Collatine, but also of his superiority to other men, who are denied the thrill of the chase because Tarquin deflowered Lucrece marital chastity. In this sense, rape is a profoundly social act. In the male economy, Lucreces commodity value derives from the forbidden nature of her chastity. Once she has been conquered by Tarquin, once the lines have been broached, her value plummets not simply for Collatine, but for all men.Lucrece is fundamentally caught up in the patriarchy of her time. Her moral system is centered on two conflicting patriarchical ideologies: Roman and Christian theological notions of morality. The Roman ideology states that if a woman is raped, she is somehow reduced as person, that she has been defiled as a res ult. There is no duality of mind and body, for a woman is her body, and though her mind may be innocent of the rape, her body bears its pollution. A woman can, however, regain her virtue by literally purging herself of her dishonor; she can kill herself. The Christian theological ideology states that it is immoral for Lucrece to commit suicide, because suicide is a sin against God. Despite her tainted body, Lucreces mind is free of sin, and thus she is free from blame. Shakespeare gives Lucrece a choice in how to view herself after the rape, but it is a choice based on masculine terms. Lucreces agency is limited by two conflicting partriarchical discourses: she must adopt one of two incompatible notions, and her inner conflict is evident in lines such as, If, Collatine, thine honor lay in me, / From me by strong assault it is bereft: / My honey lost, and I, a dronelike bee, / Have no perfection of my summer left (834-837) and Though my gross blood be staind with this abuse, / Immaculate and spotless is my mind (1655-1666). Lucrece realizes that she is trapped in a paradox, but she cannot escape it: My body or my soul, which was the dearer, / When the one pure the mother made divine (1163-1166)? Breitenberg writes, Although Shakespeare clearly intends to show the emptiness and self-destructiveness of Tarquins rapacity, there is little suggestion of a way out of the wolfish marketplace in which masculine desire is spurred to violent extremes by the fetishization of chastity. Lucrece misery, in part, stems from her lack of agency, but it also stems from the agony of choice, from the fact that her only recourse is to adopt an ideology she does not understand. Lucrece spends the last half of the poem literally figuring out what to do with herself. Though she decides almost instantly after Tarquin leaves that she must kill herself, her internal monologue is fundamentally conflicted to the very end. In fact, she goes as far as to ask Collatine and his men , May my pure mind with the foul act dispense, / my low-declined honor to advance? May any terms acquit me from this chance (1704-1706). She does not commit suicide until after they all at once began to say / Her bodys stain her mind untainted clears (1709-1710).Despite her awareness that she is a victim and not a perpetrator, Lucrece eventually commits suicide because she cannot live with her body. Lucreces mind may be pure, but she is convinced that the evidence of the rape has permanently branded her person, and consequently Collatines honor. Lucreces failed chastity and Collatines compromised honor is written on her body, and this knowledge causes Lucrece so much distress that she chooses to die. Lucreces body is, throughout the play, a symbol that is not her own, one that she does not control. In Early Modern gender politics, the body of women was a political symbol, and womens cares were flouted on their bodies like emblems. Lucrece relates to the figure of Hecuba in th e tapestry depicting the fall of Troy, because In her, the painter had anatomized / Times ruin, beautys wrack, and grim cares reign; / Her cheeks with chops and wrinkles were disguised, / Of what she was no semblance did remain (1450-1453). Hecuba, like Lucrece, registers her sorrows physically. But as Jonathan Crewe clarifies, She cannot fully identify with old Queen Hecuba as tragic victim, and does not want to be identified with the suspect HelenThe figure on whom she surprisingly yet revealingly fixes is that of Sinon, the traitor who brought about Troys downfall. Lucrece feels as if she has somehow betrayed Collatine, though she knows that her soul is blameless. It is as if the transparency that men enforce in their relations with their wives somehow externalizes the female psyche on their bodies, perpetuating the myth that a wife cannot hide anything from her husband; her body is not her own, but his. Lucreces body is viewed as a text, and she laments: Make me not object to the telltale day;The light will show charactered in my browThe story of sweet chastitys decay,The impious breach of holy wedlock vow;Yea, the illiterate that know not howTo cipher what is writ in learned booksWill quote my loathsome trespass in my looks. (806-812) The female body is never merely a body; it always represents a resource for male exchange. At the beginning of Rape of Lucrece, her body serves as a token of Collatines honor, but after she is raped it wears the badge of scandal and shame. At the end of the poem, Lucreces body becomes a symbol of the unification of Rome, when Collatine and his men appeal to the Roman people to banish the Tarquins.To the modern reader, Collatine and his men appear appallingly unsympathetic in their decision to use Lucreces suicide as an excuse to unite Rome. However, this decision is not surprising, for the political significance of the body is a pervasive theme throughout the play. Another indication of Lucreces position as a polit icized male object is in her importance as the carrier of Collatines lineage. She is his vessel: her duty is to reproduce, and the male child that Lucrece is expected to birth will act as an extension of Collatines power. Lucreces place in the household and in society is as her husbands wife and her sons mother. A womans importance as the carrier of paternal lineage is a cause of great unease in Early Modern literature. Women, not men, are the determiners of lineage, because though women bear children, men cannot prove legitimacy it is a matter of faith. The importance of chastity is greatly heightened because the chaste wife cannot bear children other than her husbands, and chastity is the only virtue that ensures rightful patriarchic lineage. Tarquin is fully aware that by raping Lucrece he might impregnate her: I have debated even in my soul/ What wrong, what shame, what sorrow I shall breed (498-499). Rather than being a deterrent, this is a source of sadistic pleasure: Yet strive I to embrace mine infamy (504). To abort the possibility of bearing Tarquins child and polluting Collatines family line, Lucreces suicide is a virtual necessity. This bastard graff shall never come to growth; / He shall not boast who did they stock pollute / That thou art doting father of his fruit (1062-1064). Margo Hendricks uses the analogy of race, stating: The ironic paradox, of course, is that this sign is invisible except as it affects the imaginative threads of that locus of racial identity heraldry. In Lucreces mind, once the rape has been committed its inscription becomes indelibly etched on her body and, by extension, on Collatines lineage. Where this sign becomes visible, as both Lucrece and Tarquin make clear, is in the heraldic depiction of their individual racial history. This illustrative signifier of race is understood to be the site where a noblemans lineage, honor, and, importantly, acts of dishonor are publicly displayed. Lucreces chaste mind is prized because her chastity materializes as a pureP body, and her worth as a woman derives from the value of that body.At her death, Collatine mourns the loss not so much of a woman, but of a possession: Let no mourner say / He weeps for her, for she was only mine, / And only must be wailed by Collatine (1797-1799). She is mourned for by her father as a possession too, for Lucretius laments: That life was mine which thou hast here deprived;If in the child the fathers image lies, Where shall I live now Lucrece is unlived? Thou wast not to this end from me derived:If children predecease progenitors,We are their offspring, and they none of ours. (1752-1757)Lucretius grieves for the loss of his line. Lineage is deeply connected with notions of male honor, and Lucreces rape has corrupted the bloodlines of three men Tarquin, Collatine, and Lucretius corrpution that only her death can effectively erase. The very blood that spills from Lucreces dead body shows the corruption of her line, for Some of her blood still pure and red remained, / And some looked black, and that false Tarquin stained (1742-1743). Junius Brutus appeals to revenge Lucreces death by saying, And by this chaste blood so unjustly stained (1836): because of her stained bloodline, the men have the duty to overthrow the Tarquin king and instill a Republic in Rome. The Tarquins are driven out because they have lost the right to rule; the honor of their lineage is undone with Sextus abominable actions. When Lucrece pleads with Tarquin to spare her, she says, Thou art not what thou seemst; and if the same, / Thou seemst not what thou art, a god, a king, / For kings like gods should govern everything (600-602). Tarquin disgraces his family line when he rapes Lucrece, and is no longer worthy of becoming king. His punishment, however, does not directly fit the crime of rape. Instead, it fits the social consequence of rape: dishonor. Tarquin dishonors himself by raping Lucrece, and Collatine a nd his men punish Tarquin simply by carrying out that dishonor on the political stage. Lucreces suicide is carried out on terms borrowed from the masculine ideology, and her revenge is executed through the field of male politics. Her body is, through the entirety of the poem, the possession of a patriarchic system.A womans body exists under the constant scrutiny of the male gaze, and Rape of Lucrece is rife with references to male eyes. Tarquin has a traitor eye (73), still-gazing eyes (84), stranger eyes (95), a lustful eye (179), greedy eyeballs (368), a willfull eye (417), a burning eye (435), and a cocatrices dead-killing eye (540). Lucrece is fully aware of the male gaze, because she knows that her death will redeem her honor. Her suicide means nothing to her once she is dead; her worth can only redeem her in the eyes of the living. This constant surveillance is a cause of distress for Lucrece, because there is nothing she can hide, no semblance of privacy for what is her own:Revealing day through every cranny spies,And seems to point her out where she sits weeping, To whom she sobbing speaks: O eye of eyes, Why pryst thou through my window? Leave they peeping;Mock with they tickling beams eyes that are sleeping.(1086-1090) When Lucrece mourns for Hecuba in the tapestry of the burning Troy, she states And with my knife scratch out the angry eyes / Of all the Greeks that are thine enemies (1469-1470). Lucreces commodity value in the masculine economy is determined by the male gaze, and despite her misgivings, she finds solace in knowing that her value will rise when the men see her dead body. In fact, after she dies, Collatine and his men show her bleeding body through Rome, / And so to publish Tarquins foul offense (1851-1852). Like Lucrece the poem, Lucrece the person is a text written in a masculine language, experienced through male eyes. And like a text, Lucrece expresses herself through the publication and circulation of her chaste body.

Why Do Teens Suffer From Eating Disorders - 1596 Words

Lory Gonzalez Mr. Bishop English 132.010 October 20, 2015 Why Do Teens Suffer from Eating Disorders: Annotated Bib It is no new discovery that teenagers in America tend to have a conflict with eating disorders. This problematic issue tend to affect many young teens just as the people that surround them, those who care for them. People might stop to think why teens struggle so much with eating disorders or how can this issue be wiped out. The thing is people need to be well aware of eating disorders and there definition and try to find a way to help decrease the amount of teens that suffer by having them. Here are a six articles that might help people have a better understanding in regards to teens and eating disorders. POPA, Teodora. Eating Disorders In A Hyper-Consumerist And Post-Feminist Context. Scientific Journal Of Humanistic Studies 4.7 (2012): 162-166. Academic Search Complete. Web. 20 Oct. 2015. This article focuses on eating disorders, but most importantly on the top ones that society are more familiar with which are anorexia and bulimia. It addresses cultural aspects that help influence these two eating disorders. The article defines the disorders so people can have an actual intellectual definition, instead of what people most commonly think they are. Also it talks about eating disorders in relation with the consumerist society and the standards that are being established with body-management (POPA 162). This article will help in really definingShow MoreRelatedPromotion Of Eating Disorders And Social Medi Research Prospectus1110 Words   |  5 PagesPromotion of Eating Disorders in Social Media: Research Prospectus Background Eating disorders are defined as any range of psychological disorders, characterized by abnormal or disturbed eating habits. And in today’s society these disorders are fairly common. Anorexia is a disorder characterized by a desire to lose weight by refusing to eat. And bulimia is a disorder involving distortion of body image, and an obsessive desire to lose weight, in which bouts of extreme overeating are followed by depressionRead MoreEating Disorders: Anorexia and Bulimia1614 Words   |  6 PagesWhat do Anorexia and Bulimia have in common? They are both deadly eating disorders that can cause severe physical and mental health problems. Anorexia is an eating disorder of self- imposed starvation and a mental illness. In fact, anorexia has one of the highest death rates of any mental illness(Gerri FreidKramer, page 15). Bulimia is a mental eating disorder characterized by overeating followed by purging(Gerri Freid Kramer, page 21). People with bulimia are known for self induced vomitingRead MoreAnorexia Bulimia: Why Are American Teens Starving Themselves?1533 Words   |  7 PagesAnorexia Bulimia: Why Are American Teens Starving Themselves? Dina Males Mr. James Wieber English 111 Image is very crucial for a teenager; the pressure of school and fitting in with there classmates and friends can be very difficult for a teenager. It is when a teenager starts taking image to the extreme and starts harming themselves by starving themselves. More and more teenagers are becoming anorexic and bulimic and it is not only affecting girls but boys are starting to come outRead MoreAnorexia Nervosa And Binge Eating Disorder1626 Words   |  7 Pagesbreakfast daily? Teenagers and even adults all over the world are suffering with various eating disorders very commonly due to the thin models they see on billboards, magazine covers, social media, and everywhere else they go. The common eating disorders include anorexia nervosa, bulimia nervosa and binge eating disorder the earliest case of an eating disorder can be traced to prehistoric times, and these disorders can have extremely negative effects on one’s health. Therefore the fashion industry shouldRead MoreSuicide and Depression1482 Words   |  6 PagesFor some teens, striving for perfection has led to harming their own health and wellbeing such as living with depression and suicide. Teenagers today are relying on what they see in ads, T.V., magazines and on the internet for their input on appearances, the way they think not only comes from media sources, but from family and friends. Just how does family and friends play a role in depression and suicide? Families and friends play a great role in our existences. If parents show signs of depressionRead MoreBody Image And Dissatisfaction Of The Thin Ideal1577 Words   |  7 PagesWard approximately 50% of women who do or do not suffer from an eating disorder have feelings of body dissatisfaction (2008). People who have unrealistic expectations of their own body image are also at a greater risk of being discontent with their body because of the sustained depiction of the â€Å"thin ideal† by the media. Body dissatisfaction is also directly correlated with â€Å"critical physical and heath problems† because of the negative affect eating disorders have on people (Grabe; Hyde; Ward, 2008)Read MorePeer Pressure And Media Cause Eating Disorders1743 Words   |  7 PagesPeer Pressure and Media Cause Eating Disorders A USA Today article reported, â€Å"According to a 2011 study in Archives of General Psychiatry about 6% of youths suffer from eating disorders. The report went on to say the 55% of high school girls and 30% of boys had eating disorder symptoms. They used diet pills, vomiting, laxatives, fasting and binge-eating to help them lose weight (Healy). Going along with the previous statistic, The Random House Dictionary defines peer pressure as a social pressureRead MoreEating Disorders: Unhealthy Eating Habits1008 Words   |  5 PagesWorldwide more than one billion people are overweight and more than eight-million people suffer from eating disorders (Adriaanse, Ridder, Evers 1; Smith 9). Most people aren’t extremely fit. Everyone has some problem with food, to an extent. For most people the problems are under control, but this is not the case for everyone. Unhealthy relationships with food can have serious consequences. Unhealthy eating habits can contribute to these consequences. One common unhealthy mannerism that many peopleRead MoreEssay about Anorexia1456 Words   |  6 Pages  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   According to the National Association of Anorexia Nervosa and Associated Disorders, there are over 24 Million people that suffer from eating disorders.   What is an eating disorder though?   The simple definition of this disease is that a person exhibits abnormal eating behaviors.   There are many different variations to these disorders but they share many of the same characteristics such as: fear of becoming obese, obsession with thinness, food, weight, and even calorie counting.   OfRead MoreBody Image And Its Effects On Women1539 Words   |  7 Pagesstruggled with body image issues.† Body image is how a person feels toward their bodies, and how they picture what other people see them as. Stereotypes started by the media cause normal women to sometimes feel insecure. This can case eating and mental disorders. These disorders can be dismissed by people that think the victim is just seeking attention, but these problems are real. The media, magazines, advertisements, and other social practices are negatively affecting women and how they view themselves